DANI SOUTHCOMBE

DANI SOUTHCOMBE

boy and the blue sky

boy and the blue sky explores themes of identity, gender, sexuality, neurodiversity and objects of sentimentality and comfort. The show features ceramic sculptures, vessels and wall hanging plates and slabs. The ceramics are built mostly from white earthenware clay as the white base works well with a minimal use of colour. Some of the more intricate works are built from porcelain due to its forgiving nature, malleability and connotations of fragility. Many of the standing works are installed on painted white bricks, the bricks themselves reference ceramic firing procedures and the white paint speaks to plinths and traditionally white gallery walls.

My main focus while creating the works for boy and the blue sky was to become more confident stating my gender diversity and neurodiversity as well as dealing with the devastating effects that transphobia and ableism have on one’s sense of self and sense of safety in the world. Through making this body of work I have practiced affirming my identity and creating my place in the world despite those who ask and even attempt to force me to conform, mask, and suppress my truths.

The works reference texts and cartoons such as The Little Prince, On Earth We’re Briefly Gorgeous and Adventure Time. And include childlike overtones as a way to maintain a considered mix of light-heartedness and emotional depth.

Ultimately, I hope audience members feel urges to celebrate and connect with the work, especially viewers who are transmasc and neurodiverse, this work is for you.

BEA BUCKLAND-WILLIS, SARAH CATANIA, JACQUI DRIVER AND APRIL PHILLIPS

BEA BUCKLAND-WILLIS, SARAH CATANIA, JACQUI DRIVER AND APRIL PHILLIPS

MAYA KILIC

MAYA KILIC